Classical dance in Bangladesh has been traditionally associated with strict discipline and extensive training, often limiting opportunities for those who did not start early in the conventional path. Arthy Ahmed, now honored with the Ekushey Padak, the country’s second-highest civilian award in dance, is being acknowledged for her performances and her inclusive approach to classical dance.
Arthy Ahmed emphasizes that her focus is on celebrating dreams rather than perfection. She highlights the importance of learning from mistakes and continuously improving. Her philosophy forms the core of the initiative that led to her prestigious recognition, emphasizing the social impact of the project over personal achievement.
Acknowledging her gurus and students, Arthy Ahmed dedicates the award to her mentor, Lubna Marium, a prominent figure in Bangladesh’s cultural scene. She views the award as a gateway for young dancers who may have felt overlooked otherwise.
In discussions, Arthy questions why only a select few with guidance and opportunities can pursue an art form. She advocates for providing opportunities for everyone to learn, believing that talent exists widely but access remains limited.
Despite maintaining classical discipline standards, Arthy has incorporated adult learners into her practice, revitalizing their forgotten dreams and instilling newfound confidence. She believes that engagement in any art form can bring about positive personal transformations and aims for art to be integrated into daily life.
Arthy faced initial criticism for showcasing untrained artists on stage, but the majority of feedback has been positive, appreciating the courage of individuals rekindling their passions. Since receiving the honor, she feels a heightened responsibility towards her students, society, and fellow dancers.
Arthy envisions expanding her inclusive dance spaces beyond Dhaka, addressing the lack of opportunities and societal stigmas in other regions. She calls for collaboration among dancers to create safe and supportive environments nationwide, emphasizing the dignity and sustainability of dancers’ livelihoods.
Her ultimate goal is to inspire people, regardless of their dance background, to bravely pursue their artistic aspirations. Through her work, she aims to democratize art, promote active participation, and ensure respect for trained dancers. Arthy’s initiative has transformed into a progressive community within Bangladesh’s dance scene, where learners uplift each other despite varying skill levels, realizing a cherished childhood dream of a harmonious and inclusive space.
