A recent exhibition at Brihatta Art Space showcased a textile research project focusing on memory, labor, and ecological shifts. Running from February 9 to 14, the exhibit provided a unique perspective on Bangladesh’s river landscape through a collaborative artistic approach.
Known as “Nodir Shuta” (Rivers’ Thread), the project was crafted by Clémence Vazard, a French artist with a transdisciplinary background. Developed during her residency at Brihatta Art Foundation’s Villa Swagatam initiative, the showcase was open daily from 3 pm to 7 pm, except for February 11 and 12. It aimed to explore the hidden connections among living entities using a blend of research, shared knowledge, and practical techniques.
By linking the intricate stitching in textiles with the intricate river systems in Bangladesh, the project delved into how fabrics encapsulate personal stories while rivers sustain and alter communities. Amid concerns about environmental vulnerability and anticipated land loss due to rising water levels, interactive workshops and collaborative sessions prompted viewers to contemplate collective futures shaped by water, memory, and craftsmanship.
Bringing together research, cooperation, and community involvement, “Nodir Shuta” (Rivers’ Thread) served as a reflective journey into how textile customs and river landscapes influence the daily lives and cultural heritage of Bangladesh.