Syed Jamil Ahmed, a renowned theatre director and the founder of Dhaka University’s Department of Theatre and Music, established the Spardha Independent Collective in September 2018 with just five members, including the talented Mohsina Akhter. Mohsina, a protege of Syed Jamil Ahmed, is a multifaceted artist who serves as a director, performer, and costume designer. She recently made her debut in the film industry with “Jaya aar Sharmin” in May but emphasizes the fluidity of storytelling across different mediums.
Mohsina is now venturing into directing and writing with her upcoming project, “Tobuo Jege Uthi.” Following the 2024 revolution, Bangladesh experienced a period of political uncertainty that extended to the cultural domain, particularly affecting progressive theatre. The “Utshobe Spardha” initiative by Spardha ITC aims to rejuvenate cultural practices that waned post-revolution.
This festival, spanning nearly three months from August 8 to October 5, features workshops, theatre performances, and paratheatre, symbolizing the emergence of a new era in Bangladesh. A new cohort of passionate and versatile voices has united to propel this cultural renaissance with enhanced vigor and determination.
The festival lineup includes adaptations such as Syed Jamil Ahmed’s rendition of Nilima Ibrahim’s “Ami Birangona Bolchi,” Mohsina Akhter’s “Tobuo Jege Uthi,” and “Bisshoykor Shobkichu,” an interpretation of Duncan MacMillan’s “Every Brilliant Thing” staged on September 12 and 26. Jamil Ahmed, often likened to a Bangladeshi auteur, helms this adaptation, narrating a son’s quest to uplift his chronically depressed mother by cataloging reasons to cherish life.
While “Ami Birangona Bolchi” has seen multiple theatrical renditions, “Tobuo Jege Uthi” stands out as one of the initial productions on screen. The debut screening at Shilpakala took place on September 7, followed by subsequent showings on the 8th. Shanaj Parvin Jonaki contributed as both assistant director and performer, with sound design crafted collaboratively by Syed Jamil Ahmed, Aniruddha Anu from Hatirpool Sessions, and Moinak Kanungo from Ghaashphoring Choir.
“Tobuo Jege Uthi” deviates from traditional narrative structures, presenting an abstract yet deliberate depiction devoid of dialogue. The meticulous sound design immerses viewers in the unfolding drama, creating a sense of anticipation for each unfolding scene.
The production captivates from the onset, eschewing formal introductions for a raw, unfiltered portrayal. Viewers are thrust into a dark realm where individuals move aimlessly through sheer curtains before converging and initiating a transformative journey. The actors’ nuanced performances convey a potent message, delving into themes of gender dynamics, societal norms, and patriarchy.
Through evocative soundscapes and visceral imagery, “Tobuo Jege Uthi” prompts introspection on ingrained societal constructs and gender biases. The production unflinchingly confronts uncomfortable truths, challenging viewers to reassess their roles within a patriarchal framework.
Despite its silent nature, the production breaks the fourth wall at pivotal moments, eliciting visceral reactions from the audience. “Tobuo Jege Uthi” serves as a poignant commentary on patriarchy, shedding light on the complexities of gender relations and societal expectations.
In a compact runtime of 48 minutes, the production leaves a lasting impact on spectators, fostering reflection on prevalent gender inequalities and social injustices. Mohsina Akhter’s poignant storytelling resonates with audiences of all ages, sparking dialogue and contemplation on pressing societal issues.
As Mohsina continues to amplify marginalized voices through her art, her work serves as a testament to resilience and advocacy for gender equality. Her unwavering commitment to challenging societal norms and advocating for women’s rights underscores the transformative power of storytelling in fostering social change.