In a quiet corner of King, Ontario, there is a small patch of farmland that might seem unremarkable at first glance. This piece of land has been used to grow typical crops like potatoes, soybeans, and wheat. Surrounding the field is a rough hedgerow that leads to marshy swampland, followed by rows of suburban mansions with artificial stone exteriors.
Despite its humble appearance, this farmland has been the inspiration behind two significant Canadian artworks, deeply connected to its unique location and characteristics. The field itself is slightly concave, making it challenging for plowing. Adding to the complexity are six large concrete slabs, each 20 centimeters wide and 1.5 meters high, zigzagging through its center. These slabs were installed between 1970 and 1972 by the renowned U.S. sculptor Richard Serra, known for his groundbreaking contributions to modern art. This installation, known as “Shift,” stands as a testament to Serra’s artistic vision.
To access “Shift,” a remarkable creation by Richard Serra, one must embark on a journey of discovery. The existence of this artwork is not a secret, yet it has often been overlooked in the realm of art history. There are no markers or signs near the site indicating its significance beyond abandoned construction materials.
“Shift” was commissioned by Roger Davidson, an art collector who invited Serra to create a sculptural piece on a small plot of his land. The formation of “Shift” was guided by Serra and his partner at that time, Joan Jonas, as they walked towards each other from opposite ends of the field, shaping the artwork’s design.
Over the years, Serra gained global recognition for his monumental sculptures, challenging traditional norms with his innovative approach. Despite the completion of the sculpture, the field was eventually sold to a developer, remaining relatively unnoticed for decades. A few dedicated art enthusiasts ventured past “no trespassing” signs to witness the early Serra earthwork in person, while the local community mostly viewed it as a backdrop for leisurely strolls.
Artist Derek Sullivan’s encounter with “Shift” in July 2021 marked the beginning of a personal exploration. Originally planning to visit renowned land art pieces in the U.S., Sullivan’s attention shifted to the local masterpiece in his backyard due to travel restrictions. His visits to the field over the following year provided unique perspectives based on seasonal changes and interactions with the surroundings.
Sullivan’s artistic response to “Shift” diverges from conventional approaches, focusing on the negative space surrounding the sculpture rather than its physical presence. Through a series of large-scale drawings, Sullivan captures the essence of his experiences, incorporating elements discovered during his trips, such as rocks, signage, and shadows.
The curator of the McMichael Canadian Art Collection, John Geoghegan, acknowledges Sullivan’s critical engagement with “Shift,” highlighting the artist’s ability to challenge traditional notions of sculptural dominance in natural landscapes. Sullivan’s work delves into the layered meanings intertwined with the site, reflecting on ecological, historical, and societal narratives embedded within the landscape.
As Sullivan’s project gains recognition through exhibitions and acquisitions, his engagement with “Shift” evolves into a broader exploration of place and memory. The enduring legacy of “Shift” raises questions about the future of the site, whether it will be preserved as a cultural landmark, reclaimed by nature, or serve as a catalyst for new artistic endeavors.
Through ongoing observation and contemplation, the legacy of “Shift” and its impact on the artistic landscape will continue to unfold, inviting viewers to reflect on the intersection of art, environment, and cultural heritage.
